Hiatus Notice


The Portland Orbit will be on hiatus due to a biking accident. This blogger will return to action when he regains use of the left side of his upper body.

Pole Art (part 1)

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You enter a dimly lit room with a high ceiling and sit at one of the many tables in an otherwise empty space. You become mesmerized by twinkling lights that swirl and cut through the darkness. Shimmering curtains in the back of the room are made of mystical, metallic material. A soundtrack of a loud, sweetly distorted guitar solo fills the still air. Your eyes fixate on a single pole that appears in a spotlight. Out saunters a dancer in a leather bikini with fringe hanging from the waist band, being quite naive, you had no idea they made those. Her hips sway as she moves like the star of an alternate culture ballet. She approaches the pole, reaches up with both hands and wraps one thigh high up and around. Your mind drifts to another kind of pole art.

Shoe art Division St (1)

You can’t help it. It seems strange but it started with shoes attached to poles and you saw more examples of it and had been trying to figure it out. It occurs to you that there is no way to know what qualifies as a true example of pole art. You’ve never been sure, at least not sure enough to expect to have telephone poles dragged into the Portland Museum of Art for a major pole art retrospective from the last two decades. Besides, pole art is anonymous and more in line with street art. A pounding drum solo disrupts your revery. A dancer lies in a concentric circle at the bottom of the pole. All of your money has leapt out of your wallet and remains crumpled up on the floor. A bouncer is tapping you on the shoulder and tugging at your collar. You long to escape to the purity of this other world, a different kind of pole art.

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The versatility of poles is evident in their ability to hold up wires and display art. One of my earliest recognitions of pole art was found in the Arbor Lodge neighborhood. The exact street has been forgotten, but I saw it off Ainsworth St. Others might describe it as found objects affixed to a pole–more eyesore than art which may be getting us closer to a pole art definition.  As a resilient repository, poles can withstand nails and staples and suffer through affixations of flyers, poster hangings, spray paint, street signs and other displays.

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There are the times when it’s hard to say what artistic statement is being made or if the attempts at art are serving an actual purpose. Gizmos like the screwed in plastic gadgets, have a function that is anyone’s guess. They resemble bottle caps. It’s hard to imagine the concept behind anyone wanting to screw something into a telephone pole as an artistic statement.  I lean towards them having some functional use because I’ve seen similar devices on other poles. They do spruce up an otherwise dull piece of wood though.



Another artsy type accouterment I’ve seen on poles is this tulip/headband looking number. See below:

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I’m not sure who is trying to dress up the poles around here, but the nailed in,  red, star flower symbol with a strap is really jazzing up the look of the poles in my neighborhood. It means something to someone and something entirely different to someone else.


I know, ah, it’s that similar feeling when a show ends with a to be continued message. There’s so much more coverage concerning Pole Art that it will have to be continued. I apologize for the difficult week you will have to endure as you wait and wonder about what else can be written on the subject matter. Tune in for part 2 anyway and be glad you only have to wait a week.

(Sadly, you will be waiting more than a week due to a bike accident. Check back in August.)

The Color Field Cover-Up

Admittedly this idea is borrowed or maybe a better word is inspired, by a September 2015 piece in the Pittsburgh Orbit about abstract art that had been described in the post:

“created and maintained as a joint effort between some number of indefatigable spray paint-wielding taggers and what we imagine is a combination of city D.P.W. (Department of Public Works) ‘graffiti busters’ and concerned citizens taking matters into their own hands.”


No. 2  (St. Johns Coffee Shop)

From that post, I recognized the local angle of the Rothko style graffiti cover-up. Mark Rothko, the abstract expressionist painter, lived in Portland during his youth. Not to make light or be too simplistic, but it seems like growing up with Portland’s dreary rainy season weather could have contributed to the depression he suffered in his life.


No. 6  ( Upholstery Shop, Lombard St.)

Finding out that Rothko attended Lincoln High School blew me away. When I consider a couple of other graduates including voice artist Mel Blanc of Bugs Bunny, Daffy Duck and many other Warner Bros cartoon characters fame and Simpson’s creator Matt Groenig; they represent a hallowed trinity of creative geniuses. These guys make me think there’s a force field within the walls of the school or a hyperbolic chamber there that shaped these minds. This theory begs for more research and a separate blog post. It might also get me arrested if I were to wander into the school unannounced, spouting such theories and making demands to complete my research by being directed to the genius chamber. This trinity idea, and in the creative world I consider it holy, may be thwarted by the possibility that there may be even more famous and weirder Lincoln graduates which would create a new theory about something being in the water from the drinking fountains creating the possibility of my being arrested multiple times for trespassing to drink from these fountains. These days you don’t want to drink from any fountain in a Portland Public School due to impending lead testing.

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Get the lead out!

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Color Fields in action.

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No. 13 (Peninsular Ave)

My aim is to acknowledge an accidental Rothko homage in a technique used to cover up graffiti that’s seen all over town. Big blotchy splotches with features from Rothko’s color field paintings are painted on building walls and under overpasses. They don’t measure up to the abstract expressionism work of Rothko, but they could be considered elementary renditions if a bit of imagination were employed. This coincidental connection is a way of honoring a man that Portland needs to claim as a favorite son. He did spend his formative years here and received most of his education in Portland before getting the hell out and going to Yale.

Brown field over pass

No. 21 (railroad bridge support, Columbia Blvd next to I-5 overpass)

A block of paint to cover graffiti serves as an accidental nod to Rothko. It’s barely in the ballpark though because it’s rare to see the more dynamic colors Rothko preferred like maroon or orange. Instead we get industrial shades of gray, brown and beige. While I appreciate the efforts to clean up vandalism, I’ve never understood the idea of not using a similar or identical paint color in order to get a less Rothko result.

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In threes: Color Field, Max Bridge near the Denver Ave. Station

Ultimately, I like these unintended reminders of Rothko. I’m left to wonder if his childhood spent in Portland inspired his art style. When I think of Rothko, Portland and big blocks of paint with sharp edges it all comes full circle.

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No. 28 (Columbia Blvd)

Argyle Colorfield

No. 25 (Concrete Brown, N Argyle St)

View a video edition of this blog post with additional photos: https://youtu.be/Lsi5ZOAOb9c

Art on the Blvd

It was a gradual thing, a minimal cultural renaissance that I noticed happening outside a trio of buildings along North Columbia Blvd., an industrial collection of warehouses and blue collar businesses. I want to imagine the art in this area springing up from the businesses trying to one up each other. That would explain the three pieces of roadside art in close proximity to one another. Regardless of the how and the why, without this art work, there would only be views of parking lots, weeds, railroad tracks and corrugated steel walls.

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The exploding American flag has always been hard to miss. Bright, bold and a tad fuzzy, the flag reveals a stylish patriotism. What the initials SMF on the building stand for is still a mystery as Google searches would only direct me to information about the Sacramento airport so it’s anyone’s guess how the flag relates to the business. This just in: I caught a glimpse of the sign on the other side of the building. SMF stands for Specialty Metal Fabricators, not as much of a mystery as I thought.

Art Flag 1

Art Flag 3 detail

Trying to write about the flag painting technique only makes me feel like an art critic or art historian, something I’m not qualified to be. I appreciate the ragged stripes, star bursts and the 3D aspect of the waving flag revealed when I got up close and personal with this piece. There’s an energy, pizazz even (probably not an art critic word) although it wouldn’t take much to brighten up the gray skies and grimy surroundings of the Columbia Blvd industrial district.

Mural on Columbia wide (1)

A couple of buildings down, I noticed a mural. From a distance, I suspected it was making a statement about or depicting the realities homelessness. I like the train-car graffiti style and political feel.

Mural on Columbia close up

The imagery communicates the idea of humans being put out with the trash. Up close, the human is not fully detailed. I was thinking, “hotdog in a bun.”  I enjoy how the painting is framed in a starry-sky dream-world. It’s also a great addition to a bland cement wall.

Mantis wide (1)

The mantis appears to be more of a legitimate art piece. It may relate to the nondescript business inside. It reminds me of how cool praying mantises are. As a kid, I saw them as unusual, rare and exciting. They still seem exotic and more fascinating than gross. So a giant mantis is a good choice to break up a monotonous wall.

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This mantis seems to be peeling off his black background – artistic effect or a cause for concern?  We don’t know. The subtle red outline also adds  dimension. I’ve always been happy to look across the road and see this particular praying mantis. It’s art where it’s sorely needed.

You can take this art walk on Columbia Blvd off of N. Argyle anytime. You don’t need a First Friday, Third or Last Thursday to have a look.  You may have to dodge trains or stumble over weeds, but the tour potential is there. These works also have drive-by possibility. See the art while driving on Columbia Blvd heading towards St. Johns.


Many thanks to the blog Stag Beetle Power for listing us in their favorites column. Their latest post has a great list of upcoming events so be sure to check that out.